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Learning Experience/Unit

UBD-Draft

Studio in Art- Tone/Value Unit


Course, Subject

Art, The Arts (1996)

Grade Levels

Intermediate, Commencement, 8th Grade, 9th Grade, 10th Grade, 11th Grade, 12th Grade


Essential Question

Why do we want to use different pencils?
How can we effectively use our pencils?

How important is the observation of light in creating a work of art?
What are the different ways to make your drawing look 3 dimensional?
How do we draw so our objects look real?
How do we use tone to add dimension to our work? 
Why is it important to critique a work of art during and after the process?

 

Objectives

Understanding(s)                                                                        

Students will be able to independently use their learning to:   

Effectively draw a 10-step value scale using different pencils

Understand the different uses of each pencil

Show where the light source is coming from using a variety of pencils and charcoal

Draw a pumpkin and/or gourd realistically with a variety of pencils

Apply their understanding of the techniques learned from the value scale drawing to their observational drawing

Translate three-dimensional objects into two-dimensional works of art. 

Produce works of art that incorporate skills in observation, use of media, placement and proportion of objects

Identify and create a balanced composition using a variety of shapes, lines and value 

Use esthetically pleasing composition for their still life

Give and receive constructive criticism and use that information to revise and improve their own work

Effectively assess their own work based on their understanding of the lesson objectives

 

Know that famous artists have had influence throughout history to create art.

 

 

 

Students will know:

 

U1.  The different uses of each pencil

 

U2.  The difference between an “H” and “B” pencil

 

U3- There must be an even progression between the values on the scale

 

U4.  They must be able to show value without smudging with their fingers

 

U5. When drawing geometric shapes how to show value by using one light source

 

U6. How to incorporate composition into their still life

 

U7. How to use the elements of arts and principles of design in a drawing

 

U8. Pumpkin/Gourd drawing relates to the sphere drawing

 

U9.  Shading must be blended as per the light source

 

U10. All pencils and values on the value scale must be used for a successful observational drawing

 

U11. Shade in the “direction” of the object to keep it “round”

 

U12. How to show depth in a still life

 

U13. How to use charcoal to show value and tones

 

U14. The uses of the kneaded eraser, compressed, vine and charcoal pencil.

 

U15. How to matte a work for final presentation 

 

Procedure

Students will be able to...

Draw a 10-step value scale using H and B pencils

Draw geometric shapes realistically with pencil using one light source

Draw a pumpkin and/or gourd realistically with pencil using one light source

Draw a compositionally pleasing still life from observation using fall fruits/vegetables using pencil and charcoal

 

Student Work

A 10-step value scale using H and B pencils with even progression between steps

Geometric shape drawings using one light source

Realistic drawing of a pumpkin and/or gourd using pencil emphasizing one light source

A compositionally pleasing still life drawing from observation using fall fruits/vegetables using pencil and charcoal

Blind Contour and Contour Drawings

Assessment

Teacher presentations and demonstrations of skills and techniques

Visual examples from past projects

In class studio, work time

Self critiques

In progress peer critiques

Teacher critique

Group Critique of final mounted work

Evaluation of professional drawings and paintings

Oral questioning

 

Other Evidences:

Daily participation

Written artist statements

Oral Quizzes

Finished projects

Sketchbook (Journal) Entries

Rubrics

Exit Cards

Materials and Resources

Schlastic Art magazine: article on Janet Fish
“A Camera’s Eye” and "Two Views of Reality”  Read and answer questions from handout

View works from still life artists such as Matisse, Edward Hopper, William Bailey, James Peale, etc.

Trip to museum to see professional art work in person 

Instructional and Environmental Modifications

Review concepts with students who need extra help

Access work in progress giving extra help with needed areas

Photograph still life and allow students to work from photograph if spacial issues

Duration

Approximately 6 weeks


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